GRAMMYs Recap: Taylor Swift Wins Album of the Year, Adele Performs and More

(Kevin Mazur/WireImage.com)

The 58th Grammys sparkled with a plethora of talent, some extremely fresh to the mainstream music industry in the past year. Taylor Swift opened the grandiose show; her blue bejeweled jumpsuit dazzled and complimented her cool-color rendition of “Out of the Woods” that showed off the pop star’s vocal range. Swift arrived at the red carpet with best friend Selena Gomez after Instagramming a video of the two getting ready for the show and excitedly screaming after they found out they won the Grammy for the “Bad Blood” music video. Quickly after her performance, Ice Cub and his son presented the award for Best Hip-Hop Album that rightfully belonged to Kendrick Lamar’s To Pimp a Butterfly. Lamar is breaking barriers with his racially relevant lyrics, and we at Roman’s Rap-Up agreed with the award, as Lamar was named our 2015 Album of the Year.

Sam Hunt and Carrie Underwood were the next highlight performance, singing a mash-up of “Take Your Time” and “Heartbeat.” Their country combo was strong and represented the genre well. Hunt is new to the scene and will continue to explode due to this unique combination of spoken and melody lyrics. Underwood has consistently given well-received music to the country fans – the Grammys couldn’t have picked a better duo to shoulder up their genre. The Weeknd also performed in the beginning of the show singing “Can’t Feel My Face” and “In the Night.” The male pop/R&B has dropped fire single after fire single; however, his live rendition is only a little above lukewarm in comparison to the other early Grammy powerhouse performers. 

Lionel Richie’s tribute as he sat in the audience was filled to the brim with a range of musical favorites; John Legend, Demi Lovato, Luke Bryan, and Meghan Trainor are only a handful involved in the tribute. Legend’s piano skills and rich voice did not disappoint, and Demi Lovato’s fierce black and white pantsuit was overshadowed by her stellar range of Richie’s “Hello” that proved, once again, she’s grown past her shallow Disney Channel roots. Richie seemed to highly enjoy the performances from the audience and eventually joined the group onstage. Stevie Wonder and Penatonix performed a a-capella rendition that was absolutely breathtaking and created a standing ovation from the audience chock full of talent.  

Ed Sheeran won Song of the Year for “Thinking Out Loud,” a beautiful love song about wanting to spend the rest of his life with his significant other and wanting to love her the same as when they were young. Sheeran has never won a Grammy until this year, and he is now the winner of multiple in one night including Best Pop Performance for “Thinking Out Loud.” In a parallel mood, Tori Kelly and James Bay performed a duo with a subtly beautiful tone that highlighted both of their unique tones. After, the Grammys panned to New York City to view a live performance of Hamilton, the musical that is using hip-hop in a unique way instead of the normal Broadway music. They proved why the musical is so hot right now; it’s so vastly different from the ‘typical’ play in so many ways.

Kendrick Lamar took the stage, and the performance level took to another level. It began in a jail with all African American men in a line chained together, referencing the movement of slaves. Lamar then switched to “Alright” with culturally dressed and painted dancers in front of a large fire. Lamar ended the performance solo with precise light and camera work that finished off a five-minute experience even from viewing on the couch at home. If viewers had any doubts of this rapper’s limit-pushing potential, they were squashed when the scenery altering, lyrically electrifying performance. If it wasn’t enough to hear Lamar, Adele followed up, coming out in a red, glittery dress that sparkled from head-to-toe. It was thrilling to hear her begin with a song other than “Hello;” the icon sang “All I Ask” with a simple pianist and guitar accompaniment. She was stunning in every way that a star in the music industry should be. 

Justin Bieber began with an acoustic version of “Love Yourself” that quickly changed into a dramatic band version of “Where Are Ü Now?” It’s not that either of the performances was poor; more so that the combination of the acoustic with the changed-up version of “Where Are Ü Now?” was a lot to handle in the same performance. After Bieber, Meghan Trainor won New Artist of the Year, and she became really emotional onstage as she rocked her new brunette locks. Lady Gage followed up the award with the late David Bowie tribute that was the evolution of his musical career. It included a large- scale performance including intense lighting effects on her face as well as throughout the entire stage. Outfit changes also took pace onstage, and Gaga changed between multiple songs with rapidity. 

B.B. King’s tribute exceeded expectations with a mix of old and new artists such as Bonnie Raitt and Chris Stapleton. Afterwards, Alabama Shakes made a solid indie rock performance in addition to Hollywood Vampires’ heavy metal performance with incorporated flames and intense face makeup. The Grammys did a lengthy tribute to those deceased over the past year per usual to an awards show. 

Album of the Year went to Taylor Swift for 1989. Though the album is well done and a wonderful transition into the pop genre, Kendrick Lamar was short-changed with only the award for hip-hop album and not overall album. His music did something arguably more socially important than Swift’s transition. Record of the Year went to “Uptown Funk,” which became a huge dance classic over the past year with its groovy beat and fun lyrics. Pitbull closed the show with a fun, light performance featuring Sofia Vergara and Robin Thicke. It was confetti-bombed and brightly lit, creating a happy vibe to end the performance-packed night. The Grammys stage did not disappoint as another year of musical celebration comes to a close. 

Album Review: Demi Lovato Finds Self Love & 'Confidence' on Smash New Album

Confident album cover (Hollywood Records/Island Records).

Demi Lovato's development through her music career has been a roller coaster. From her Disney start to admittance of self-harm, Lovato has demonstrated the strength that a woman in the spotlight must have in order to grow past her obstacles. Her new album, Confident, is Lovato's version of a promotion of that strength and self love she has found through her journey. The album includes the summer smash, "Cool for the Summer," as well as her recent hit, "Confident." Both singles promote the ‘ballsy,’ vibrant vibe that the rest of the album procures. Confident also includes features from other strong female artists including Iggy Azalea. From the cover artwork to the lyrics, Lovato seems to be tapping into the prime of her career.

One song that explains Lovato’s journey to a healthier state of mind is “Old Ways.” It’s the third track on the album following her two singles. She begins, “It was fun playing with knives until a blade stuck in the left side of my chest, surprise.” She continues, stating, “And I’ll just keep changing these colors, I’m not in the same place that I was, but if somebody tells me I’ll go back to my old ways, I’ll say no way...” This is Lovato’s blatant argument in her newfound strength and determination to remove herself from the weaker mental and emotional state she used to hold. It is her fight song and “screw you” against the haters and nonbelievers who might doubt her. She argues, “I’m not burning out, I’m not afraid to fall.” This is the perfect song to put on when a listener needs some motivational music. Defiance is the key word to “Old Ways” and is a perfect follow up to her two hits in the beginning of the album.

Lovato’s song with Azalea, “Kingdom Come,” is another powerful song on Confident. Not only does the song portray two strong female voices, it also includes techno/pop backbeats like the rest of the album that create great dance music, as well. The chorus begins with a slow, “You’re my kingdom come,” and concludes with Lovato singing, “Sit me on your throne.” Azalea comes in partway through the song with her rap and beat that adds a sound very similar to her hit with Rita Ora, “Black Widow.”

By far the most vulnerable and sentimental song on the album is Lovato’s last song, “Father.” It explains her emotional status in regards to her broken father figure. In addition, Lovato describes a mix of hatred but understanding for his weakness that created the separation from her as a child. The song is slower and much less dance-party than the rest of her album. The song also hints at his death and recognition of his place in heaven. The open, emotional wound he has left is something that touches the listener and creates a contrast to the powerful defiance of “Old Ways” and “Kingdom Come.” “Father” also displays the range and beauty of Lovato’s voice. Her vocal quality is impressive to say the least, and the ballad offers her fans a full experience of this.

Confident is exactly what the album title’s name implies: it is Lovato’s growing confidence as an artist, female, and fighter. Everyone has obstacles to conquer in life, and she had to go through hers under the bright spotlight of fame. However, Lovato has come out the other side stronger than ever musically and personally. Fans will enjoy the album as a dance, pump-up playlist but also as a tap into her emotional growth and understanding.

EXCLUSIVE: Bea Miller Talks Touring At 15, New Music & Ed Sheeran

Bea Miller performing at the "Demi World Tour" in Manchester, NH on October 22nd, 2014 (Benjamin Esakof/Roman's Rap-Up).

We talked to Bea Miller backstage at the "Demi World Tour" in Manchester, NH on October 22nd, 2014. Bea talked to us EXCLUSIVELY about touring, her debut album, wanting to work with Ed Sheeran & more. 

See the full interview below:


Photos: Demi Lovato Brings "Demi World Tour" To New England With Special Guests

Demi Lovato performing at the Verizon Wireless Arena in Manchester, NH on October 22nd, 2014 (Benjamin Esakof/Roman's Rap-Up).

Demi Lovato brought her "Demi World Tour" to the Verizon Wireless Arena in Manchester, New Hampshire Wednesday evening with special guests Christina Perri, MKTO and Bea Miller. Check out the photo gallery below for photos from the night:

Demi Lovato Announces New Tour

It's been a while since her last tour, but Demi announced today on her Facebook page that she will be back on the road starting in February 2014! The show is being dubbed "The Neon Lights Tour", and will take the former Disney star to 27 cities across US and Canada. In addition, Demi also announced that the next single off her self-titled album is "Neon Lights".

Find out if Demi Lovato is bringing "The Neon Lights Tour" to a city near you!

February 9 Vancouver, BC Pepsi Live @ Rogers Arena

February 11 San Jose, CA SAP Center

February 13 Anaheim, CA Honda Center (On sale October 12)

February 15 Glendale, AZ Jobing.com Arena

February 17 Grand Prairie, TX Verizon Theater At Grand Prairie

February 19 Houston, TX Toyota Center

February 21 Atlanta, GA Philips Arena

February 23 Charlotte, NC Time Warner Cable Arena

February 25 Sunrise, FL BB&T Center

February 26 Tampa, FL Time Union Center

March 1 Camden, NJ Susquehanna Bank Center

March 2 Fairfax, VA Patriot Center

March 5 Worcester, MA DCU Center

March 7 East Rutherford, NJ IZOD Center

March 8 Wallingford, CT Toyota Oakdale Theatre

March 11 Uniondale, NY Nassau Veterans Memorial Coliseum

March 13 Auburn Hills, MI The Palace At Auburn Hills

March 14 Rosemont, IL Allstate Arena

March 16 Omaha, NE CenturyLink Center

March 18 St. Paul, MN Xcel Energy Center

March 20 St. Louis, MO Chaifetz Arena

March 22 Columbus, OH Nationwide Arena

March 23 Grand Rapids, MI Van Andel Arena

March 26 Toronto, ON Air Canada Centre

March 27 Cleveland, OH Quicken Loans Arena

March 29 Nashville, TN Bridgestone Arena

March 30 Indianapolis, IN Bankers Life Fieldhouse

Tickets go onsale October 5th at Ticketmaster.