GRAMMYs Recap: Taylor Swift Wins Album of the Year, Adele Performs and More

(Kevin Mazur/WireImage.com)

The 58th Grammys sparkled with a plethora of talent, some extremely fresh to the mainstream music industry in the past year. Taylor Swift opened the grandiose show; her blue bejeweled jumpsuit dazzled and complimented her cool-color rendition of “Out of the Woods” that showed off the pop star’s vocal range. Swift arrived at the red carpet with best friend Selena Gomez after Instagramming a video of the two getting ready for the show and excitedly screaming after they found out they won the Grammy for the “Bad Blood” music video. Quickly after her performance, Ice Cub and his son presented the award for Best Hip-Hop Album that rightfully belonged to Kendrick Lamar’s To Pimp a Butterfly. Lamar is breaking barriers with his racially relevant lyrics, and we at Roman’s Rap-Up agreed with the award, as Lamar was named our 2015 Album of the Year.

Sam Hunt and Carrie Underwood were the next highlight performance, singing a mash-up of “Take Your Time” and “Heartbeat.” Their country combo was strong and represented the genre well. Hunt is new to the scene and will continue to explode due to this unique combination of spoken and melody lyrics. Underwood has consistently given well-received music to the country fans – the Grammys couldn’t have picked a better duo to shoulder up their genre. The Weeknd also performed in the beginning of the show singing “Can’t Feel My Face” and “In the Night.” The male pop/R&B has dropped fire single after fire single; however, his live rendition is only a little above lukewarm in comparison to the other early Grammy powerhouse performers. 

Lionel Richie’s tribute as he sat in the audience was filled to the brim with a range of musical favorites; John Legend, Demi Lovato, Luke Bryan, and Meghan Trainor are only a handful involved in the tribute. Legend’s piano skills and rich voice did not disappoint, and Demi Lovato’s fierce black and white pantsuit was overshadowed by her stellar range of Richie’s “Hello” that proved, once again, she’s grown past her shallow Disney Channel roots. Richie seemed to highly enjoy the performances from the audience and eventually joined the group onstage. Stevie Wonder and Penatonix performed a a-capella rendition that was absolutely breathtaking and created a standing ovation from the audience chock full of talent.  

Ed Sheeran won Song of the Year for “Thinking Out Loud,” a beautiful love song about wanting to spend the rest of his life with his significant other and wanting to love her the same as when they were young. Sheeran has never won a Grammy until this year, and he is now the winner of multiple in one night including Best Pop Performance for “Thinking Out Loud.” In a parallel mood, Tori Kelly and James Bay performed a duo with a subtly beautiful tone that highlighted both of their unique tones. After, the Grammys panned to New York City to view a live performance of Hamilton, the musical that is using hip-hop in a unique way instead of the normal Broadway music. They proved why the musical is so hot right now; it’s so vastly different from the ‘typical’ play in so many ways.

Kendrick Lamar took the stage, and the performance level took to another level. It began in a jail with all African American men in a line chained together, referencing the movement of slaves. Lamar then switched to “Alright” with culturally dressed and painted dancers in front of a large fire. Lamar ended the performance solo with precise light and camera work that finished off a five-minute experience even from viewing on the couch at home. If viewers had any doubts of this rapper’s limit-pushing potential, they were squashed when the scenery altering, lyrically electrifying performance. If it wasn’t enough to hear Lamar, Adele followed up, coming out in a red, glittery dress that sparkled from head-to-toe. It was thrilling to hear her begin with a song other than “Hello;” the icon sang “All I Ask” with a simple pianist and guitar accompaniment. She was stunning in every way that a star in the music industry should be. 

Justin Bieber began with an acoustic version of “Love Yourself” that quickly changed into a dramatic band version of “Where Are Ü Now?” It’s not that either of the performances was poor; more so that the combination of the acoustic with the changed-up version of “Where Are Ü Now?” was a lot to handle in the same performance. After Bieber, Meghan Trainor won New Artist of the Year, and she became really emotional onstage as she rocked her new brunette locks. Lady Gage followed up the award with the late David Bowie tribute that was the evolution of his musical career. It included a large- scale performance including intense lighting effects on her face as well as throughout the entire stage. Outfit changes also took pace onstage, and Gaga changed between multiple songs with rapidity. 

B.B. King’s tribute exceeded expectations with a mix of old and new artists such as Bonnie Raitt and Chris Stapleton. Afterwards, Alabama Shakes made a solid indie rock performance in addition to Hollywood Vampires’ heavy metal performance with incorporated flames and intense face makeup. The Grammys did a lengthy tribute to those deceased over the past year per usual to an awards show. 

Album of the Year went to Taylor Swift for 1989. Though the album is well done and a wonderful transition into the pop genre, Kendrick Lamar was short-changed with only the award for hip-hop album and not overall album. His music did something arguably more socially important than Swift’s transition. Record of the Year went to “Uptown Funk,” which became a huge dance classic over the past year with its groovy beat and fun lyrics. Pitbull closed the show with a fun, light performance featuring Sofia Vergara and Robin Thicke. It was confetti-bombed and brightly lit, creating a happy vibe to end the performance-packed night. The Grammys stage did not disappoint as another year of musical celebration comes to a close. 

St. Louis Rapper J.R. Premieres New Video

(Youtube)

(Youtube)

Hip-hop artist J.R. just released his brand new music video “You See It” directed by Future’s main director, Rick Nyce of Grind Season Films. The music video displays grunge footage of J.R.’s home city, St. Louis, from old warehouse buildings to graffiti-covered walls. It neatly contrasts with J.R.’s rap and energetic vibe throughout the video. “You See It” is off his upcoming EP Gang Season that will be out February 26th. 

Photos: Fetty Wap Brings "Welcome to the Zoo" Tour to Boston

Fetty Wap performing on the Monster Energy Outbreak "Welcome to the Zoo" tour in Boston on February 8th, 2016 (Benjamin Esakof/Roman's Rap-Up).

Fetty Wap came to the House of Blues Boston Monday night for Monster Energy's Outbreak “Welcome to the Zoo Tour.” Even though the blizzard warnings echoed through local news stations, the crowds came out in large numbers to see the budding rap star who has hit after hit on his debut album Fetty Wap. Post Malone opened for Fetty and brought up the buzzing energy in the house. There was steady rhythm of excitement throughout the whole night due to the popularity of Fetty Wap that has only continued to grow. He did not disappoint and sang hits such as “Trap Queen,” “679,” and “Again” that brought every single concertgoer into a sing-a-long due to the radio-time popularity of Fetty Wap’s hits. The next time he comes through Boston, there is a high chance it will be at an arena-size venue due to his growing fanbase. Fetty Wap has featured on so many hit singles from other huge rap stars including KCAMP’s “1Hunnid;” the expectations for his future success is high, and if he continues like the beginning of his career, Fetty Wap will make a Drake-level name for himself. 

Check out photos from the show below: 

Beyonce Announces Summer Stadium Tour Following Super Bowl Performance

Time to empty your wallets.

Following a colorful Super Bowl Halftime performance with Coldplay and Bruno Mars, Beyoncé announced the "Formation World Tour." The tour, almost 40 dates long, will start in Miami on April 27th and travel to stadiums in Los Angeles, San Francisco, New York, Boston and more before ending in Hershey, PA on June 12th. The "Crazy in Love" singer brings the tour to Europe on June 28th.

See when Queen Bey comes to a city near you below. Tickets can be found on February 16th over at Beyonce.com.

April 27 – Miami, FL – Marlins Park

April 29 – Tampa – Raymond James Stadium

May 1 – Atlanta, GA – Georgia Dome

May 3 – Raleigh, NC – Carter-Finley Stadium

May 5 – Nashville, TN – Nissan Stadium

May 7 – Houston, TX – NRG Stadium

May 9 – Dallas, TX – AT&T Stadium

May 12 – San Diego, CA – Qualcomm Stadium

May 14 – Los Angeles, CA – Rose Bowl

May 16 – Santa Clara, CA – Levi’s Stadium

May 18 – Seattle, WA – CenturyLink Field

May 20 – Edmonton, AB – Commonwealth Stadium

May 23 – Minneapolis, MN – TCF Bank Stadium

May 25 – Toronto, ON – Rogers Centre

May 27 – Chicago, IL – Soldier Field

May 29 – Detroit, MI – Ford Field

May 31 – Pittsburgh, PA – Heinz Field

June 3 – Boston, MA – Gillette Stadium

June 5 – Philadelphia, PA – Lincoln Financial Field

June 7 – New York, NY – Citi Field

June 10 – Baltimore, MD – M&T Bank Stadium

June 12 – Hershey, PA – Hersheypark Stadium

EUROPE:

June 28 – Sunderland, UK – Stadium of Light

June 30 – Cardiff, UK – Millennium Stadium

July 2 – London, UK – Wembley Stadium

July 5 – Manchester, UK – Emirates Old Trafford

July 7 – Glasgow, UK – Hampden Park

July 9 – Dublin, IE – Croke Park

July 12 – Dusseldorf, DE – Esprit Arena

July 14 – Zurich, CH – Letzigrund

July 16 – Amsterdam, NE – Arena

July 18 – Milan, IT – Stadio San Siro

July 21 – Paris, FR – Stade de France

July 24 – Copenhagen, DK – Parken

July 26 – Stockholm, SE – Friends Arena

July 29 – Frankfurt, DE – Commerzbank Arena

July 31 – Brussels, BE – Roi Boudoin

Album Review: Future Delivers Yet Another Hit Album with "EVOL"

EVOL Album Cover (Epic Records)

Future’s new album EVOL meets the hype from the sneak peek many heard on DJ Khaled’s Snapchat video while he was in the studio with the rapper recently. EVOL dropped on Khaled’s “We The Best” radio station on Beats 1 on Apple Music Friday night, and the dark tone of the album combined with a sensual theme common to the hip-hop culture seeps through all eleven tracks. Future has a tone similar to Fetty Wap’s recognizable rap sound; dark knights such as Fetty Wap and Drake are successful due to their recognizable sounds. Future is another to add to that list: EVOL’s songs demonstrate his unique tone that has landed him with deals such as the mixtape, What A Time to Be Alive, with Drake later last year. 

“Low Life” is one notable song on the album due to its feature with The Weeknd, one of the hottest and most sexual sounding male singers in the industry at the moment. The beat of the song is slow and quiet like a build up that compliments what The Weeknd excels at. Future raps, “If she catch me cheating, I will never tell her sorry. Porshes in the valley, I got Bentleys, I got Raris – taking pain pills on the plane, getting chartered.” The song is a classic mix of hip-hop themes: girls, drugs, and ego. Its low-key tone adds darkness to the song combined with heat from The Weeknd’s particular sound. The Weeknd sings the chorus, “I’m reppin’ for the low life…” His smoothness contrasts Future’s lower tone. Together, it is a well-done mix of hip-hip grit and pop/R&B sensuality. 

“Seven Rings” is a harsher song on the album that begins with intense backbeats mixed with high-pitched horns. Future raps in the beginning and end of the song, “Tote them pistols, poppin’, say it's a problem. I told you off the top that I would sign 'em. I told you we get money, 'bout to peel out. I told you half of these niggas we be winning.” This song is also about common hip-hop material, except “Seven Rings” leans more towards the gangster and violent side of that material in contrast to the sensuality in “Low Life.” Money and ego are the center of attention. Like the name implies, it reminds the listener of “Big Rings” in What A Time to Be Alive with Drake. If he’s not chasing girls, he’s chasing money – Future’s slightly electronic rap tone vibes with the robotic beats particularly in “Seven Rings” with neat sounds such as the horns’ effect.

EVOL might not do anything different with its content – the songs are about the rapper’s common plate of performance: ego, women, money, and flashiness. However, Future continues to build a resume for himself, as his recognizable sound can be heard clearly past the backbeats and features. When one begins to listen to EVOL, the listener knows undoubtedly that it’s Future. This is the base for any successful rapper in a sea full of the ones trying to make it. Future is joining the ranks of Drake and Fetty Wap who listeners pick up immediately when they turn on the radio.